The exhibition of Amo a la Reina at Het Bonnefanten
La historia el sueno que la cometa navega hasta el cielo,
para que nunca se olviden | 2020
180 x 210x 25cm cm | Oil paint on burlap, tar, plastic flowers, resin, hair, gel, and paper
La historia de la gloria desvanecida y el sueno del Caribe | 2020
230 x 210 x 25cm cm | Oil paint on burlap, tar, plastic flowers, resin, hair, gel, and paper
Raquel van Haver (Bogotá, 1989) creates overwhelming sculptural paintings. She works on burlap, combining oils, charcoal, resin, fake hair, paper, tar and ash into strong textures. Van Haver documents and researches communities and groups in society in relation to the concept of identity.
For this project, Van Haver visited her home country of Colombia. According to the artist, the magical works refer to the natural beauty of the countryside and the inherent cheerfulness of the culture, which conceal deep social, political and economic problems and differences. Van Haver visited urban districts suffering from poverty and drugs problems, where gangs fight over territory and where a diverse population of migrant workers and refugees tries to forge an existence. Van Haver learned how social organisations to make the neighbourhood safer, to look after children and to educate youngsters are founded by women. As an ode to these women, who put their lives at risk for the good of the community,
Van Haver portrays them in large group portraits, some of which she presents in brick niches. Her paintings bring together several aspects of the Colombian culture, such as the dominant Catholicism and the turbulent socio-political situation, but mainly the close sense of community and the tenacity of the population.
Not only do the niches suggest Catholic chapels, but they also refer to Colombian architecture with its lively street art and the continual, hopeful new building projects. The songs originate from the Pacurita,
a movement in the Afro-Colombian community. They are often sung in church services to commemorate the deceased and to honour life. Fabiola Torres is one of the leading female singers of this genre.
Amo a la Reina tells lovingly of the close communities who, despite all the problems, keep finding the strength to continue building and looking to the future.
El sol y la luna, el ritmo del ruisenor | 2020
240 x 310x 40 cm | Oil paint on burlap, tar, plastic flowers, and homemade paint, Oil paint on burlap, tar, plastic flowers, and homemade paint, masonry, mortar, steel, collages, and wood
La historia de migrantes | 2020
270 x 310x 40 cm | Oil paint on burlap, tar, plastic flowers, and homemade paint, masonry, mortar, steel, collages, and wood
La historia el camino del seuno, la esperanza y el amor | 2020
190 x 210x 25 cm | Oil paint on burlap, tar, plastic flowers, resin, hair, gel and paper
La historia de la esperanza de oro que los trae en la oscuridad de la noche | 2020
260 x 310 x 12 cm cm | Oil paint on burlap, tar, plastic flowers, resin, hair, gel, and paper
Esperanza, Fe y amor. La madre, la hija y la sabiduria | 2020
420 x 315x 50cm | Oil paint on burlap, tar, plastic flowers, resin, hair, gel, and paper
Amo a la Reina | 2020
In HD, duration 27.53 minutes
Shot and directed by Raquel van Haver.